Marcus Jorge applies this myth to the ambiguity of modern society by confronting our mythical and technological aspects with each other and - through a perfect, theatrical tric - causing them to merge. The video screen, divided into two frames, shows identical images but in a mirror-image: a woman, Narcissa, staring into the ripples of a yellow sea, a man who after a circular movement of 360° turns out to be staring at his own head on a monitor. It is followed by 'a small step for man but a giant leap for mankind': a television continues to snow even after it has been unplugged, the world is divided into a red and a green half of 3D and Armageddon has become reality. Eventually, however, recovery arrives: an angel walks in one landscape which is only cut in half by a vertical line.