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An eight-part registration without plot of Big Brothers who guard with the most modern equipment our security but most of all their own. In rhythmic cross-cut editing John Watt often intersperses his own shots with those of the automatically-controlled electronic blinkers found in a factory or underground car park. This serves to increase the frightened repression of a video camera playing electronic policeman. The impression that a combination of ownership, paranoia and electronics bring perfect security that much closer is effectively confirmed by a security consultant.
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