"Images are transformed by the surface on which they are projected" states Édor Santos. He compares the flat images of the TV screen with the optical depth and details of film projections in classical cinema. By projecting images onto other surfaces, he attempts to rediscover a traditional contemplation of nature and landscape. In this installation images are projected onto an artificial mountain and a lake. As symbols of eternity, stability and rest, mountain and lake form, as it were, the screen, the background. Landscape as a kind of primaeval measure of things.

Two different images are projected onto this background. The sound track produces the natural ambience of a mountainous landscape. The images are from laser discs but are edited live using a computer algorhithm. This algorhithm brings an aleatory element to the editing which occurs beyond Santos' control. As an artist he only sets this process in motion. All kinds of unexpected image combinations are possible. He was inspired to try this approach by the I Ching (Book of Changes), an eastern logic of change and chance that assumes an open basic position and permits a more organic method of observation and experience.