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The images pass at different, often rapid speeds. They show movements or were filmed from movement; they show fragments of landscapes, faces, which rapidly replace each other, or which are filmed from so close that you can’t actually ‘see’ them. Sometimes there are multiple images on the screen or the picture becomes completely abstract because of the speed with which the filmed images pass. Sometimes there is nothing on screen. Image and music influence each other and there is no linear story line, text or explanatory voice-over. You get the impression that you are watching images in a flow of ideas, such as you can experience when sitting in a passing train looking out. You see the surroundings pass by, but your mind is elsewhere. It seems as if interior images, evoked by musings and memories of people, are augmented by images from outside, of places which pass and persist for just an instant.
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Jorinde Seijdel
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Production Duncan of JorDancetone College of Art - The School of Television and Image - a Faculty of the University of Dundee
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